It's June and that means that my sewing thoughts turn to The Feast of the Hunters' Moon. "Ahhh! I only have four months to stitch a new stock of 18th century clothing, make that new Caraco jacket for myself, pour 100 or so beeswax ornaments, replenish the stock of maple cakes..." and so on.
Seriously, I wake up in the middle of the night thinking these things!
Stress thoughts aside, I am actually in good shape. I just finished four new chemises and had time to attend a Feast Sewing Circle, a gathering of folks who share ideas and learn how 18th century clothing was constructed so that we can implement those techniques into our own Feast sewing.
Such as the use of sleeve buttons (the precursor to cufflinks)
and how they were used in both men and women's clothing. (Source of sleeve button photos unknown and found on social media.)
Or the technique of hand sewing a gusset (the triangular piece) between the collar and the sleeve to give a shirt more give and movement.
Natural fabrics were used during the Feast time period - linens, cottons, wools, and silks. Polyesters and nylons were not invented in the 18th century and we want to avoid using those in our garments. I brought some fabrics from my mom's stash with me to the Feast Sewing Circle and asked for opinions. Just what were these fabrics?
The group consensus immediately was that the green was linen so we set it aside to look at the others. The group thought the other three fabrics were silks but no one was sure.
Brooke Sauter, leader of the Feast Sewing Circle (and the new director of the Feast itself) said she'd show us how to identify the content in those fabrics, asking if I minded if she snipped a corner off the edge of each one.
We trooped outside and Brooke pulled out a tin containing tweezers and a lighter.
Showing us that she was holding the snippet of fabric with the tweezers for safety,
Brooke lit the first sample of fabric on fire and we watched it melt, curling in on itself as it did so. Not silk at all - it was polyester!
She burned the other two pieces plus a wool sample and pointed out the different reactions. The wool smelled like sheep and was very burn-resistant. The silk burned slowly and also had an animal smell.
The natural fiber samples had charring that would easily break into ashes if touched. Not the man-made - it just melted.
I put them into my sewing notebook and labeled them to help me remember.
But does the fabric content that we use in sewing our 18th century garments really matter? Usually the natural weave fabrics are far more expensive than the blends or the 100% man-made fabrics. Why not go for the cheaper fabrics, especially when those blends may look like the real deal? (We were all fooled by that turquoise "silk" that turned out to be polyester.)
Absolutely yes. Fabric content really does matter.
Think about working near a campfire and catching some of your clothing on fire. Would you rather be wearing the burn-resistant wool or the melt-on-contact polyester? Cotten and linens will burn, that's true, but they will not melt onto your skin like the man-made fabrics do. (That melting makes for a horrific and painful recovery.)
Photo retrieved from Google Images. Credited to Rurification | Robert Edmundson.
Re-enactors are around fires all the time, many of us 24/7, when we are at an event. Of course we are aware of the dangers of the camp or cooking fires and we are careful. But it just takes a trip, a turned ankle, a quick turn that causes your petticoat to brush the flames, and you are in trouble.
I was going to make something to sell at the Feast out of that turquoise "silk" that I'd brought. Not any more. After watching it melt as it did, I may just throw it away.
And while burning those fabric samples was fun, it was sobering to realize that our fabric choices as sewists could endanger someone or help protect them.
Needless to say, my fabric choices will now be better informed with safety the priority.